Thanks to @benoitbochu & PSFK for this discovery. A nice DIY solution, for print for a cheap price and have an amazing effect. An excellent idea by Levi, a freelance designer. During experimenting with different forms of printing, initially letterpress and wood block, I began to experiment by introducing new elements into my [...]
Atrium is a prominent architectural bureau based in Moscow that is renowned for its outstanding architectural solutions, among other accomplishments. A branding realized by Flëve Design Consultancy Challenge As Atrium approaches its 20th anniversary, the bureau has rightly decided it needs a new look and feel that is well-suited for [...]
Frag.men.ta.tion is a project but Vitor Claro a member of Maan. This work his for Blankhiss, a collective dedicated to developing online art exhibitions. The act or process of fragmenting // state of being fragmented // a technique to study structure of molecules // the disintegration // collapse // or breakdown [...]
Let’s me introduce you this nice project by Pedro Veneziano for his design graduation at Universidade Estadual Paulista. The idea was to (re)create the visual identity of a cultural event of our choice, attending to some production issues. He choose the Festival de Cinema de Gramado, and try to avoid [...]
I just discovered the works of Krzysztof Zdunkiewicz, a graphic designer based in Warsaw. I invite you to have a look on this other projects. He have a very personal style with a typographic choice often close, black & white color boost by some touch of flashy color.
Here is a typographic work by Maurice Redmond for the artist Colin Smith. The first of a series of 3 artworks. The title font Macula is based on the ‘impossible’ Penrose triangle (or Penrose tribar). Each 12cm high letter was cut from 4 mm thick plywood and [...]
The british studio Spin designed a book dedicated to the work and life of Herb Lubalin. He designed the famous ITC Avant Garde Gothic font and of course the ITC Lubalin Graph.
Studio mailer inviting our clients to experience beautiful print process’ which they don’t often see. We chose letterpress as the process for the typographic-lead designs. A work by Popcorn
Taylor’s 21 Port Wine is a branding designed by Vitor Claro. The typography and the code system were exclusively developed for the brand new concept. Taylor’s 21 Port Wine est un branding dessiné par Vitor Claro. La typographie et le système graphique ont été exclusivement développé pour le nouveau concept de marque.Â
You probably remember this video : « Futura, An animated specimen« . Well, here’s a second project with the same students, Christopher Wilson and Thibault Fournas for the animation and Peter Bilak the typographer for the scenario. They present Karloff, a font, which seeks to combine beauty and ugliness at the same time. Karloff, the result of this [...]
Here is a very beautiful work by Manual Creative, they Designed the identity of Proxy, a place combining gastronomy, art, culture and retail. The identity is based on a monospace font, but the most interesting is having left the compositions grid and above all using the same colors as illustrator, a visual reminder [...]
This is a print work by Working Format for The Gerrit Noordzij Prize that rewarded in 2009 the Tobias Frere-Jones foundry works (now Hoefler & Frere-Jones). It was selected as one of the Best Dutch Books of 2009 by the Stichting De Best Verzorgde Boeken (Dutch Best Designed Books Foundation). Voici un travail print de Working Format pour le Gerrit Noordzij Prize qui [...]
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